The Spectrum of Love (Fate/Grand Order’s Ooku’s Analysis)

The arrival of the Tokugawa’s Restoration Labyrinth: Ooku, one of Fate/Grand Order’s event, marked what I would like to dub as the conclusion of the Sakura trilogy in the Fate franchise, which was started with Heaven’s Feel in Fate/Stay Night, and continued in Fate/Extra CCC. I say this not just because the way the three chapters all starred some variation of Sakura (because Fate is weird like that), but also because they are, in some ways, involve a thematical portrayal of love. In Heaven’s Feel, the protagonist Shirou wrestled with choosing his ideals over his love, Sakura. In CCC, BB, The Alter Egos, and Kiara, represented a very twisted versions of love.

Fate/Grand Order’s Ooku more or less continued the tradition set by CCC in having the characters embodied a whole spectrum of love. The characters in this case are Kiara, Kama, and Kasuga-no-Tsubone.

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