There’s one particular quirk that comes up whenever a character ask if the members of the Eizouken are friends in Keep Your Hands Off Eizouken!
When someone ask that, both Asakusa and Kanamori answered by saying that they are actually comrades, rather than friends. The reason for this particular quirk was only revealed during the flashback that explores the origin of Asakusa and Kanamori’s ‘partnership’.
Upon learning about their backstory, and after thinking about it for a while, it really confirmed something to me.
We have a very sentimental attachment toward the notion of friendship.
Continue reading We’re Comrades, Not Friends (Eizouken Analysis)
Somehow my editor allowed me to review anime film at my work website, but life’s weird that way I guess.
You can read it here. But I’ll give you a couple of paragraphs review. Enjoy!
So, the end of the line.
Evangelion: 3.0 +1.0 Thrice Upon a Time is the final film in the Rebuild of Evangelion Tetralogy, a series of films that remake the classic Neon Genesis Evangelion.
The movie was initially released in Japan in March 8, 2021. International audience finally manages to get a chance to watch movie through Amazon Prime Video in August 13, 2021.
With the tetralogy that spans over 14 years finally coming to a close, has the creator of the franchise, Hideaki Anno, delivered a satisfying finale?
They say that changes is a form of death.
In a way they are. After all, changes is letting go everything that you know, not just about the world, but about yourself. Breaking free from all of that, to unburden yourself of something that you have intrinsically tied into your sense of self, can be a form of death.
The horrifying reality of change, however, do not just stem from the metaphorical death that comes with it. But also in the way it can affect others.
Changes doesn’t come in isolation. Wanting happiness for ourselves, for instance, may entail curbing the happiness of others. An unfortunate effect of living a scarcity-governed world populated by myriad of individuals with intersecting and contradicting wants as well as needs.
In the case of Shinji in Rebuild of Evangelion, the changes that he did brought literal apocalypse.
Continue reading The Horror of Change (Evangelion 3.33 Analysis)
I was watching the episode 5 of Keep Your Hands Off Eizouken the other day and it got me really thinking: Why do we love giant robot?
As the episode demonstrate, large humanoid robot, while it can be realistic (give humanity enough time and we can basically invent anything), it is not exactly practical. In a scenario in which humanity is confronted with massive-scale monsters, it is more likely that our real-life military will simply deploy a more advance tanks instead of large robots. Concrete Revolutio is also another anime that pointed out the unpracticality of a giant robot for the purpose of engaging the enemy.
The boring answer to that, of course, is because it is cool, something that the robot club president in the Eizouken episode essentially admit to himself near the end. But I find that answer unsatisfying.
Yes it can be cool. But why it can be cool?
Continue reading Why do We Love Giant Robot? (Food for Thoughts)
Action has always been one of my favorite genre in action (if it’s done well). At their best, they are basically a physical of storytelling with the climax of a fight mirror emotional catharsis of the characters. To an outside observer, making bunch of people hit each other may seem simple, but there’s an elegant construction in any great fight scene. Film Crit Hulk lay out all the elements of a good action in his Mission Impossible video: It needs objectives, stakes, obstacles, and wrinkles (among others).
With that said, in this post, I want to analyze one particular fight in Hunter x Hunter that I’ve been thinking about using those elements that Hulk was talking about above: Specifically the fight between Netero and Meruem in the Chimera Ant arc.
Continue reading What’s in a Fight: Netero vs Meruem (Hunter x Hunter’s Analysis)